Reference Materials
Acting Craft
- The Art of Acting by Stella Adler
- The Actor at Work by Robert L. Benedetti
- Film and Television Acting by Ian Bernardv
- Acting: The First Six Lessons by Richard Boleslavsky
- A Practical Handbook for the Actor by Melissa Bruder
- Acting in Film by Michael Caine
- Being an Actor by Simon Callow
- Acting Skills for Life by Ron Cameron
- To the Actor by Michael Chekhov
- On the Technique of Acting by Michael Chekhov
- The Power of the Actor by Ivana Chubbuck
- Acting for Film by Mel Churcher
- On Directing by Harold Clurman
- How to stop Acting by Harold Glusken
- Respect for Acting by Uta Hagen
- Challenge for the Actor by Uta Hagen
- The Audition Book by Ed Hooks
- Actors Art and Craft by Rona Laurie
- The Moving Body by Jacques Lecoq
- On Acting by Sanford Meisner
- The Stanislavsky System by Sonia Moore
- The Intent to Live by Larry Moss
- Commedia Dell’Arte by John Rudlin
- Theatre and Beyond by Tom Salinsky and Deborah Francis
- Year of the King by Anthony Sher
- Audition by Michael Shurtleff
- An Actor Prepares by Constantin Stanislavsky
- Building a Character by Constantin Stanislavsky
- My Life in Art by Constantin Stanislvasky
- Secrets of Acting Shakespeare by Patrick Tucker
- Secrets of Screen Acting by Patrick Tucker
- Directing Actors by Judith Weston
- Creating a Character by Moni Yakim
Comedy & Improvisation
- The Improv Handbook: The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond by Tom Salinsky and Deborah Frances-White
- Musical Improv Comedy: Creating Songs in the Moment by Jason Alexander and Michael Pollock
- Improvisation for Storytellers by Keith Johnstone
- Improvise: Scene from the Inside Out by Mick Napier
- Improvisation for the Theatre by Viola Spolin
- Something Wonderful Right Away by Jeffrey Sweet
- Dying is Easy; Comedy is Hard by Donald Wolfit
Voice
- Voice and the Actor by Cicely Berry
- Freeing the Natural Voice by Kristin Linklater
- Shakespeare’s Voice by Kristin Linklater
Business
- The Agents Book – Theatre Ontario
- The Business of Being a Playwright in Canada – Playwrights Union of Canada
- The Organizer Industry Guide – Theatre Books
- Word of Mouth by Susan Blue and Molly Ann Mullin
- There’s Money Where Your Mouth Is by Elaine Clark
- You Got the Part by Marsha Chesley
- An Actor’s Guide to Getting Work by Simon Dunmore
- Getting Started in Theatre by Lehman Engel
- Glam Scam: Successfully Avoiding the Casting Couch and Other Talent and Modeling Scams by Erick Joseph
- Left Brain Finance for Creative People: A Money Guide for the Creatively Inclined by Paula Ann Monroe
- The Actor’s Survival Kit by Miriam Newhouse and Peter Messaline
- So You Want To Be An Actor by Adrian Rendle
- The Stage Mom Survival Guide by Robyne Ropell-Baruchel
Business
- The Way of the Actor by Brian Bates
- The Artist’s Way by Julia Cameron
- The Courage to Create by Rollo May
- The 7 Habits of Highly Effective People by Stephen R. Covey
- Love is Letting Go of Fear by Gerald G. Jampolsky
- Smart Actors, Foolish Choices: A Self-Help Guide to Coping with the Emotional Stresses of the Business by Katherine Mayfield
On Theatre: Histories, Biographies & Creativity
- The Art of the Actor: The Essential History of Acting from Classical Times to the Present Day by Jean Benedetti
- The Oxford Companion to the Canadian Theatre by Eugene Benson and L.W. Connolly
- Fifty Seasons at Stratford by Robert Cushman
- Biography of Shakespeare by Stephen Greenblatt
- The Theatre: A Concise History by Phyllis Hartnall
- Up the Mainstream by Denis Johnston
- The Golden Buddha Changing Masks (Essays on the Spiritual Dimension of Acting) by Mark Olsen
Monologue and Scene Books
- Canadian Monologues for Actors – Playwrights Canada
- The Scenebook for Actors edited by Norman A. Bert
- Scenes for Young Actors edited by Lorraine Cohen
- The Perfect Monologue by Ginger Howard Friedman
- Callback by Ginger Howard Friedman